In my previous post, I highlighted a group of women active in the Montreal art and technology field. I enjoy sharing about people Bis Films has worked with and who are important to us. Writing that post, I realized how many more amazing women surround us but just didn’t fit into the narrow field of “art and technology.” That is why I want to take advantage of a recently released short video, Be Peace, featuring Jo Willers and Janie Pelletier, to share my experience in making the video.

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Bis Films was recently contracted by Rickard’s Blonde to create three short cooking spots featuring local chef Jean-François Plante, owner of l’Aromate here in Montreal. These three recipes use the new Rickard’s Blonde beer as one of the ingredients. This project was over before we knew it, but our palates were tantalized by some of the food preparations we witnessed and feasted upon during the shoot.

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It all started on a cold December night. A small group of friends gathered around a small kitchen table and attempted to wow each other with their favorite pasta recipe. Eight unique dishes were served, grades were allotted, a winner was proclaimed. Thus, The Foodie Collective was born.

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In the spirit of uploading all of our past projects to Vimeo, Circle Haiku is a film that I directed back in 2009. For this film, I teamed up with Moe Clark, spoken-word poet extraordinaire and songstress. We brought our distinctive passions together – me for the moving image and Moe for the healing sounds of music – in an attempt to create a meditative look at… well everything.

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I sit, looking at the Bis Films Vimeo page and I think: “How is it that Kat and I both graduated from Concordia Communications Studies and have been pushing forward in the film/video production world since 2008, yet we have so few videos online?” I think it’s time to assert our digital presence on the pages of Vimeo.

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A 7 year old boy sits in the back seat of his parents car, driving along Sources Blvd in the West Island, looking out the window. Somewhere along the drive, an old abandoned stone house catches his eye, slightly out of place in this 1988 sprawling Montreal suburb. The boy’s eyes sparkle as dreams of adventures and  abandoned treasures crowd his mind. What would he find behind those crumbling cobble walls were he to escape his parents gaze long enough to explore?

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